Fanny Mendelssohn Hensel Was Enthusiastically Encouraged to Pursue a Musical Career by Her Family.
Chapter 29 Enjoyment Music
Fanny Mendelssohn Hensel lived a long and productive life
false
Fanny Mendelssohn Hensel was encouraged to pursue a musical career past her family
false
From a trip to which land did Fanny Mendelssohn Hensel draw inspiration for her work The Year?
Italy
Fanny Mendelssohn Hensel wrote several large-scale works as well as many Lieder
true
Chopin paid homage to his Eastern European ancestry by composing
mazurkas and polaniase
Following her mother'south expiry, Fanny Mendelssohn Hensel took over
organizing the famous family Sunday concerts.
Stephen Foster's music is inspired past the fourth dimension he spent living in the American Southward
imitation
Music publication in early America was largely comprised of what kind of music
devotional
Music in eighteenth- and early nineteenth-century America was wildly divergent from European traditions
false
Stephen Foster is known for his ballads, minstrel show tunes, and plantation songs
true
Shape-note notation was designed for people who could non read music
truthful
Devotional music from nineteenth-century America has no presence in modern spiritual music
false
Stephen Foster's Jeanie with the Calorie-free Brown Hair was inspired by real life experiences
true
Protestant settlers in New England did not take printed music books until the eighteenth century
simulated
Foster'southward Jeanie with the Calorie-free Brownish Hair is primarily composed in what texture?
homophonic with some polyphonic
Nikolai Rimsky-Korsakov represents the
russian nationalist school
Jean Sibelius represents the
Scandinavian school
The primary difference between a symphonic poem and a plan symphony is
the number of movements in the work
Bedrich Smetana represents the
Bohemian school
Which of the following is a type of programme music written to accompany plays
incidental music
Edvard Grieg represents the
Scandinavian nationalist school
Grieg's Peer Gynt was the result of a collaborative piece of work with which playwright
Henrick Ibsen
Grieg's Peer Gynt was the result of a collaborative work with which playwright
the idee fixe
Hector Berlioz looked to the writings of Shakespeare as the footing for both operas and symphonic works
true
Mendelssohn's music for Shakespeare's A Midsummer Night'due south Dream is a famous example of
incidental music
Which category of plan music all-time describes Peer Gynt?
incidental music
Which term describes a 1-movement work possibly written to innovate a larger work, but played independently?
concert overture
Which blazon of program best describes Smetana's The Moldau?
graphic, depicting actual events or places
Which term describes a ane-movement work for orchestra with a literary program
symphonic poem
In which motion of Berlioz's Symphonie fantastique is the Dies irae (Day of Wrath) theme from the Mass for the Dead heard
the fifth
Berlioz'south innovations include his orchestration furnishings
true
Composers expressed their nationalism through music by basing their compositions on
songs and dances of their people.
the celebration of a national hero, event, or place.
Which all-time describes the character of the fourth motion of Symphonie fantastique
a diabolical march
The Moldau is part of a cycle of works known as:
my country
Which composer is by and large credited with the first use of the term "symphonic poem"?
Franz Liszt
Instrumental music that has some literary or pictorial clan is chosen:
Programme music
Berlioz's Symphonie fantastique exemplifies the blazon of program music known as:
The program symphony
Manuel de Falla represents the
Spanish nationalist school
The inspiration for Berlioz's Symphonie fantastique was
the actress Harriet Smithson.
Music lacking any literary or pictorial association is called:
accented music
Which of the following is Not true about Hector Berlioz?
He was a German Romantic composer.
What does the loud chord immediately after the statement of the idée fixe at the end of the quaternary motion in Berlioz's Symphonie fantastique represent?
the falling of the guillotine's blade
Antonín Dvorák represents the
Czech School
Which category of programme music best describes The Moldau?
Symphonic Poem
Dvorák wrote a number of operas that reflected the influence of his homeland.
true
Romantic composers ofttimes wrote a longer last motion of a symphony to remainder the beginning.
true
How many symphonies did Brahms write?
four
Which composer nurtured Brahms's talents, taking him into his abode?
Robert Schumann
While in the U.s., Dvorák was particularly drawn to
African American spirituals
Brahms's Symphony No. three exemplifies cyclical construction, bringing back themes at the shut from the first movement
truthful
Dvorák rarely included elements of his own musical civilisation into his symphonic compositions
Fake
Brahms wrote all of his symphonies afterward he turned forty
true
The scherzo differs from the traditional minuet and trio in that information technology follows a modified sonata form
Imitation
Unlike the symphonic verse form, the symphony is oftentimes absolute music, without a program.
True
The opening melody of the third movement in Brahms'due south Symphony No. three is given to which musical instrument
The cellos
Brahms's Symphony No. three in F major uses none of the forms often constitute in late eighteenth-century symphonies.
False
The Romantic symphony required a larger orchestra than that of the Classical masters
Truthful
The 3rd movement of the nineteenth-century symphony is well-nigh probable in
scherzo and trio form.
Dvorák came to America in the 1890s and taught in ______:
New York
Brahms wrote his Requiem mass in retentiveness of:
His Mother
Dvorák wrote his ninth symphony, the New World in:
The United states
The Romantic symphony wheel typically has three movements
Faux
The eye movements of the New World Symphony are programmatic, based on:
Henry Wadsworth Longfellow's Song of Hiawatha.
The Romantic symphony follows the verbal forms and proportions of the Classical genre of Beethoven
Simulated
Which is the typical tempo structure for a symphony?
fast, dull, fast-paced triple dance, fast.
The first movement of a Romantic symphony is usually the most dramatic and features the use of sonata-allegro form
true
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